![]() Stanley thinks the whole world is against him, except for the one person who’s actually kept him down. He boasts about the creation of the “Stanwich” with a worrying lack of self-awareness, he talks to the laughing jocks who roll into his drive-thru like he’s their coach, oblivious to the fact that the joke is on him, and he name-drops the restaurant’s absent owner with a reverence that betrays his own lack of value, as if he’s not just talking about some guy named Gary who’s been exploiting his labor for the last four decades. Moments of dissonance are woven into the movie from the start, as Stanley flails to present his workaday dignity as a great American drama. As Stanley inches closer to “The Last Shift,” Cohn’s shrewd and agile script begins to crank up the volume until these quiet lives of desperation are distorted into something bracingly unexpected. Where to Watch This Week’s New Movies, from ‘Talk to Me’ to ‘Haunted Mansion’ What are the odds that such wildly different people - crossing paths as they circle the same drain - might learn something “beautiful” from each other in a way that reaffirms their complacency in the capitalistic system that hobbles them both? Jevon is a rebellious parolee who disrespects authority, hangs with a “difficult” crowd, and doesn’t seem the least bit interested in supporting his ex-girlfriend (Birgundi Baker) or their young son. ![]() Stanley is an old-fashioned sort who acts like he’s the mayor of Oscar’s Chicken and Fish, mistakes his new trainee for a criminal, and does everything in his limited power to be “OK, boomer”-ed into oblivion. And the evidence only continues to mount throughout the first half of the film, as each new plot detail conspires to flatter your cynicism. Sony releases the film in limited theaters on Friday, September 25.Ī breezy yet bittersweet little drama about an aging white fast-food worker ( Richard Jenkins) who’s tasked with training his young black replacement ( Shane Paul McGhie) after 38 years behind the counter of Albion, Michigan’s shittiest “burger” joint, Andrew Cohn’s “ The Last Shift” has all the hallmarks of an insufferably pat story about the search for common ground in America. That's to say, it isn't out of the norm that DiBlasi is rebooting his film and potentially making some modifications along the way.Editor’s note: This review was originally published at the 2020 Sundance Film Festival. Other directors, like Takashi Shimizu, rebooted their films in a different language to reach a new audience. DeMille rebooted The Ten Commandments thirty years after the original. He took a different direction with the second film, modifying the plot significantly from the original. Twenty years later, in 1956, he released a reboot. Iconic horror filmmaker Alfred Hitchcock directed The Man Who Knew Too Much, which originally came out in 1934. Both films follow a character of the same name trying to understand the death of their fathers while working at a rundown police station that is about to close.ĭiBlasi isn't the first director to remake or reboot their own film. Last Shift maintains a 100% critics score on Rotten Tomatoes, though audiences weren't sold on it, only giving the movie a 51%. The latter debuted at London FrightFest Film Festival in 2014. Malum is a reimagining of DiBlasi's film Last Shift. It is suggested that he arrested members of the cult when he worked at the station, which may have been the catalyst for what is happening now. A disembodied voice says that Jessica's father "started something very important," implying that his interactions with the cult and its followers may have started a chain of events that Jessica can't contain. ![]() This implies that something happened that may have impacted his mind. How was her father connected to the cult? Another officer says, "he was a hero, until he wasn't, you know," and motions toward his head. Related: 15 Best Jump Scares in Horror History Jessica tries calling for help, and it looks like someone may come to assist her, but not before she witnesses strange occurrences throughout the station. These locations are connected to the cult, with an instance of her appearing in a barn during what seems to be a cult gathering. There are instances where Jessica appears to be transported to new locations, which could be the "terrifying paranormal events" the synopsis mentions. The trailer adds to the horror with creepy phone calls, videos, and voices.
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